Ever wonder where all those backstage-musical showbiz cliches came from? Wonder no more: 42nd Street (1933) is movie zero. And no matter how many times I see it, I never cease to be amazed by how modern it seems: Take away the cloche hats and the silk rehearsal tap-pants and the dated slang and I swear, the backstage scenes could have been set in the 1980s, when I worked for a major NYC-based ballet company.
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