Tuesday, February 10, 2009

Candyland: The Movie...Huh?!?!?!?

Okay, I have never, ever gotten the appeal of movies based on video games, though a serious gamer I ran into at a shoot once made a pretty solid argument that watching a good videogame-based movie was like watching a world-class player in action.

But no one will ever convince me that anything good comes of making movies based on board games. Especially a wuss-o-rama game like Candyland. And yet according to Variety, Kevin Lima — who directed the pitch-perfect Enchanted (2007) — is supposed to direct a live-action Candyland from a screenplay by Etan Cohen, who wrote Madagascar 2 and co-wrote Tropic Thunder (both 2008). I mean, seriously: Candyland is the race-around-the-board reduced to its lowest common denominator: You draw colored cards and advance to the next square of that color. No reading. No numbers. No strategy… oh, and no story. So how exactly is this going to make a movie?

I can only think of three previous board-game movies:

Mystery Date (1991): Actually, not based on the game at all — this movie just swiped the title of the 1960s game in which you got ready for a date, but didn't know who your date would turn out to be until you opened a plastic door with a picture behind it. The object of the game was not to be dressed for the prom and draw the guy with the skis. The movie's plot: Shy boy goes on date that spirals woildly out of control.

Dungeons & Dragons (2000): This hardly counts either, since the essence of D&D is role-playing, but there is a board version that was designed a s a kind of beginner's introduction. That said, the movie is just a faux-medieval fantasy adventure; its only real distinction is that gamers hated it as much as non-gamers. Which brings us to…

Clue (1985): The venerable mystery game — you know, who killed Colonel Miustard in the drawing room with the candlestickl? — was transformed into a camp comedy, but the movie did at least maintain a solid connection to the source. Much reviled despite a stellar comic cast that included Christopher Lloyd, Michael McKean, Tim Curry and Madeline Kahn.

So there you have it, and I can't say it bodes well for Candyland.

What's your take, and did I miss any other board-game movies?

Friday, February 6, 2009

Reviews of Coraline, Push and more...

My reviews of the enchanting Coraline, the sci-fi disaster Push, starring Dakota Fanning, and documentary Our City Dreams are live.

Tell me what you think...

Wednesday, February 4, 2009

Sherlock Holmes Speaks!

I first read Sir Arthur Conan Doyle's Sherlock Holmes stories as a young teenager, and I was immediately hooked. Next thing you know, I'd bought a copy of Sir William S. Baring Gould's Annotated Sherlock Holmes, my first brush with extreme fandom.

I'm writing an essay about The Hound of the Baskervilles (the novel and the 1939 film, which introduced Basil Rathbone as Holmes), and while trolling the web came across this interview with Doyle. I had no idea there was film of him talking about the origin of Sherlock Holmes"

So I felt compelled to share. Be warned, thoough, that about halfway through he starts talking about spiritualism, another of his great passions. If you're not interested, stop watching: There's no more about the great detective once he gets on to the psychic stuff.

Tuesday, February 3, 2009

Drive, he said: Jason Statham's Super Bowl Commercial

Oh, right.... I guess strictly speaking it's Audi's Super Bowl ad, and I'm sure many — if not most — viewers didn't recognize the Bank Job star. But I'm a fan, and for my money this commercial, a pitch-perfect series of car chases in the style of different eras, is a winner.



As to everyone who called this snowglobe ad the best of the batch, I just don't know what to say. It's stupid and juvenile... uh, never mind.

Sunday, February 1, 2009

You've Come a Long Way, Baby...

I first saw this video a couple of years ago and ran across it again this morning.

It amazed me then and it amazes me now:, both because it's quite a technical achievement and because it really is eye opening to see how ideals of female beauty have changed.